FICTION

Read the story here.

Read the story here. 

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Poem in Appalachian Review

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  A slim package came yesterday in the mail. The Spring 2020 issue of Appalachian Review , which includes my poem "Almost Heaven, or Mixed-Race Roadtrip Following the Fall of Saigon." Past contributors to Appalachian Review include Pinckney Benedict, Wendell Berry, Wiley Cash, Nikki Giovanni, bell hooks, Silas House, Fenton Johnson, Barbara Kingsolver, Maurice Manning, Ann Pancake, Jayne Anne Phillips, Ron Rash, Lee Smith, Lyrae Van Clief-Stefanon, Neela Vaswani, Frank X Walker, Crystal Wilkinson, etc. etc., so I feel I'm in excellent company.  The journal used to be called Appalachian Heritage , a name that too many people, according to its website, associated with "a simplistic view of Appalachia as a place frozen in a quaint, bucolic, homogenous past or, at worst, a particular ultra-conservative brand of politics and identity." Hence, the name change.  It's a shame that the word "heritage" has come to carry so much ugly baggage. But it's w
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Something About Secrets

I remember it was on a school bus. Was I in middle school? Maybe. But wait, I didn't take the school bus in middle school, so it must have been elementary school, when my family had first moved to Tennessee from Florida. No matter. The bus was bumping along a narrow, wooded road on a steep hillside. The road followed the winding path of a creek that lay like a dark ribbon of shine in the ravine below. We were all in shade and I was a little bit scared. Sometimes the bus's right wheels went a few inches off the pavement, and I imagined how easy it would be for us all to go tumbling down the ravine into the murky glimmer of that creek.
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The Story Silence Tells

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Last week I participated in  Southern Griots: Preserving Local History Through Storytelling at the Cape Fear Museum. Organized by Athenian Press , the event featured a lovely array of artists in different genres (poetry, playwriting and screenwriting, dance, filmmaking, music). We shared our work and talents, each of us emphasizing art's ability to lift up, preserve, and pass along human stories that might otherwise be lost. The night before, in anticipation of the event, I kept thinking about stories. Not just those we tell, but those kept secret. As an Asian-heritage person, I know that silence is woven into my cultural legacy. My Asian-American friends and I have talked about the frustrating silence of our Asian parents, about the lack of demonstrativeness, both physical and emotional. Other cultures have this too, of course. Brits are famous for their "stiff upper lip." And Appalachian hillbilly culture, despite its propensity for tall tales, is known for endur
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